Roberto Barbosa

Double Moral, 2022
Mixed Media 30.5 x 28.5 x 26.5

Roberto Barbosa
Roberto Barbosa

Double Moral, 2022
Mixed Media 30.5 x 28.5 x 26.5











Desires (fragment), 2022
Mixed Media 64.5 x 28.5 x 30











Roberto Barbosa

Lifting Legs, 2020
Ink on paper, 21 x 14 cm
Frame 28 x 21.5 x 3 cm





Read text “Tenderness towards masculinity”
by Felix Kosok about my work on exhibition
www.pret-a-parler.org/
by Aileen Treusch.







Mouth Open, 2020
Ink on paper, 15 x 21 cm






Upside down, 2020
Ink on paper, 21 x 15 cm






Gathering, 2020
Ink on paper, 15 x 21 cm






Fingers, 2020
Ink on paper, 15 x 21 cm






Hugged, 2020
Ink on paper, 21 x 15 cm






Stretching, 2020
Ink on paper, 21 x 15 cm






Dragging, 2021
Ink on paper, 21 x 15 cm






Holding Back, 2021
Ink on paper, 15 x 21 cm






Riding, 2021
Ink on paper, 21 x 15 cm






Pulling Back, 2021
Ink on paper, 21 x 15 cm






Tasting, 2021
Ink on paper, 21 x 15 cm






Getting Up, 2021
Ink on paper, 21 x 15 cm






Araising, 2021
Ink on paper, 21 x 15 cm












Landscaped, 2020

Online project iniciated by Valentina Knežević.
www.sorryineedmore.space







Research based on a close formal reading of the work of Aldo Rossi and his book “Architecture of the City.” The thesis argues that typology is something that goes beyond authorship and functionality. It goes beyond authorship because typology is not defined by a specific building, typology can only be understood if we compare different buildings and see that they share similarities in their actual formal organization and these similarities are identified as typological themes. This project puts forward the common of the city which is the collective intelligence that takes form on specific typological themes and proposes a new organizational diagram for the city of New York.



Roberto Barbosa
Roberto Barbosa Architect
Roberto Barbosa Architect







Glitches on de Young, 2017

Images produced after reading “Transparency: Literal and Phenomenal”
by Colin Rowe and Robert Slutzky.
Borrowing de Young Museum by Herzog and de Meuron as canvas.









Deep Surface, 2017








A floor plan, 2016










I loved you in/a/way, 2017

Images after ARCHITECTURES IN LOVE,
sketchbook notes by John Hejduk.

The sound of a book can only be heard internally.












Untitled sculpture (inside and outside), 2016
Clay, 3D scan.

Rundgang Städelschule, 2017

















Impressum
Angaben nach § 5 TMG

Roberto Barbosa
Neuhofstraße 44
60318 Frankfurt
mail@roberto-barbosa.com
+49 174 2655711

© Roberto Barbosa 2021.
All rights reserved.